home *** CD-ROM | disk | FTP | other *** search
- <text>
- <title>
- (Jan. 06, 1992) Books:Ficton
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Jan. 06, 1992 Man of the Year:Ted Turner
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 74
- BEST OF 1991
- </hdr>
- <body>
- <p> FICTION
- </p>
- <p> 1. THE GOLD BUG VARIATIONS by Richard Powers.
- </p>
- <p> Back in the late 1950s, Stuart Ressler was one of the
- eager young scientists trying to crack the genetic code of the
- DNA molecule. In the mid-'80s, he works the night shift for a
- computer billing outfit in Brooklyn. What brought Ressler to
- this dead-end job? That is only one of the questions posed and
- answered by this demanding, dazzling novel. Also on display are
- two love stories, two intertwined narratives, vast erudition and
- a white-knuckled, suspense-filled investigation into the meaning
- of life.
- </p>
- <p> 2. MATING by Norman Rush.
- </p>
- <p> A down-on-her-luck American anthropologist in Botswana
- decides it is high time to find a spouse. Into her frame of
- reference comes Nelson Denoon, who is handsome, charismatic and
- doing worthy work for indigenous women in the Kalahari Desert.
- Her narrative of what happens next--and next--is both
- uproariously funny and deeply serious, a long courtship of highs
- and lows played against an exotic, meticulously described
- African landscape.
- </p>
- <p> 3. IMMORTALITY by Milan Kundera.
- </p>
- <p> Out of a story about contemporary neuroses--as displayed
- by four Parisians, two males and two females unhappy in
- interesting ways--Kundera creates a free-form fictional
- context in which everything, including an imaginary conversation
- between Goethe and Ernest Hemingway, can be claimed to matter.
- The Czech author indulges his obsessive itch to tell all without
- ever turning out a dull or obfuscatory page.
- </p>
- <p> 4. A DANGEROUS WOMAN by Mary McGarry Morris.
- </p>
- <p> The thirtysomething Martha Horgan makes an odd heroine,
- lacking, as she does, all the protective and intuitive senses
- society demands. Her job at the local dry cleaner is so
- comforting, compared to the rest of her daily experiences, that
- Martha often shows up on her day off. Morris triumphantly evokes
- the sad, vivid life of a character excluded, for reasons she
- cannot grasp, from the magic circle of friendship and family.
- </p>
- <p> 5. MAO II by Don DeLillo.
- </p>
- <p> Will the overpopulated future offer any room or even
- sanction for the individual consciousness? Bill Gray, 63, a
- famously reclusive author, ponders this question as the outside
- world beckons him to go public. What awaits him there, as his
- dark imaginings foretell, are terrorists, those who have
- usurped the novelists' authority and now "make raids on human
- consciousness." This meeting is unforgettable, thanks to
- DeLillo's terse, electric dialogue and descriptive passages of
- insidious beauty.
- </p>
- <p> LESSER MOMENTS IN PUBLISHING I
- </p>
- <p> Most disarming self-critique by the author of a runaway
- best seller: "Margaret Mitchell is a better writer. But she's
- dead."
- </p>
- <p>-- Alexandra Ripley, author of Scarlett
- </p>
- <p> Most depressing final words in a novel of more than 1,300
- pages: "To be continued."
- </p>
- <p>-- Norman Mailer, Harlot's Ghost
- </p>
- <p> Most welcome final words in a gory thriller of nearly 800
- pages: "Killed enough?" Ryan slid the sword back into its sheath
- and let it fall to his side. "Yes, Your Highness. I think we
- all have."
- </p>
- <p>-- Tom Clancy, The Sum of All Fears
- </p>
-
- </body>
- </article>
- </text>
-